
The debate rages on as to whether photographers should work to get their best shot straight from the camera or shoot their photos with a mind to enhance them later in a photo editing program like Photoshop.
Those in the “no edit” camp feel that untouched photos are somehow purer than a post-processed image. Those in the post editing camp feel that the very process of photography itself distorts reality, so why not work to get the strongest possible image that technology will allow?
I usually try to create the best image possible within the confines of whatever camera I’m using. Anything else is just laziness. Every photographer should know the limits of their equipment and what it is capable of producing in any given situation.
But that doesn’t mean that I don’t post process my images, either. A camera doesn’t always capture the range of tones available in a scene. Colors can get lost. More often than not, I will adjust the light levels and color saturation of my photos, sometimes selecting specific areas of a photo to adjust. And sometimes, a particular effect will enhance a photo, like the Orton processing used on this photo above of a female mallard duck.
Orton is a process of creating a duplicate image, blurring it, layering it over the original image then blending it with the original. The result is a soft-focused photo with richly saturated color.
Here is the same duck photo before processing, as it came straight out of the camera.

What’s your preference?
Want to see more before and after photos? Lev Kolobov produces a photo blog with a twist. Lev's blog, LEVitation, gives a before and after glimpse of each image he posts. The trick is to place your cursor over the red "Kolobov" under each image to reveal what the photo looked like before processing.
Click on pictures to enlarge. Photographs © 2008 James Jordan.